应用舞台灯光是环节制定的一个主要构成部分，它具备时间和艺术室内空间技术的特点。空间组织是演出舞台工程施工流程中必不可少的构成部分，具备较强的技术性，在舞台灯光空间组织和建立的环节中，各种各样照明定义和技术必须应用。文中探讨的演出舞台空间组织和设计过程中的一些方法，并提到了现代主义和写意紧密结合，古典与现代，颜色和总流量变动等 专长技能中间的均衡。
The application of stage lighting is a major component of the development of links. It has the characteristics of time and art indoor space technology. Spatial organization is an essential part of the construction process of performance stage engineering, which has strong technicality. In the link of stage lighting spatial organization and establishment, a variety of lighting definitions and technologies must be applied. This paper discusses some methods in the process of stage space organization and design, and refers to the close combination of modernism and freehand brushwork, the balance between classical and modern, color and total flow changes and other expertise and skills.
在舞台灯光设计方案的实际空间里，真正时间和空间的定义主要是创建，并仿真模拟太阳光，日光或月光的危害再现风景的客观性和能给人一种身在其中的艺术感受。写意类似国画&濒诲辩耻辞;测算白黑&谤诲辩耻辞;的技术。室内空间的大规模被置放暗夜里为环境，当地的灯点亮主情景或场面的基本特征一部分，黑白色的媒介来表述无限空间，在除此之外，&濒诲辩耻辞;饱和度&濒诲辩耻辞;在光影效果技术被用以点亮全部环境和突显场面的暗情况，以造成在环境上，这就是所说的剧烈的光源和黑影饱和度&濒蝉辩耻辞;剪影图片&谤蝉辩耻辞;的实际效果。
In the actual space of the stage lighting design scheme, the definition of real time and space is mainly to create and simulate the harm of sunlight, sunlight or moonlight, reproduce the objectivity of the landscape and give people an artistic feeling. Freehand brushwork is similar to the technique of "measuring white and black" in traditional Chinese painting. The large-scale indoor space is placed in the dark as the environment, the local lights light up the main scene or part of the basic characteristics of the scene, and the black-and-white media express the infinite space. In addition, "Saturation" in the light and shadow effect technology is used to light up the whole
environment and highlight the dark situation of the scene, so as to create the actual effect of the so-called violent light source and shadow saturation 'silhouette picture' in the environment.
真实的照明是“由定义制胜”，体现了环节的认真细致构造，并再次建立环节的原状与真实感。实际中的这一含义上算是对事实的提取和开创观念，不可以简洁地仿真模拟太阳光。现代主义是城市夜景室内空间的创造技巧，让一定的艺术气氛，让真实的阳光照射能够造成“亲临其境”的艺术美学艺术实际效果。途手照明是主观意识的关系式，其被交 融到个性化和心情的图象“与用意获得胜利”写意照明主照明技术生产制造出“好点子”，它还可以激发 性一些想像，而造成“一十”的思想室内空间的韵味实际效果。
Real lighting is "winning by definition", which reflects the careful and meticulous structure of the link, and establishes the original state and authenticity of the link again. In practice, this meaning can be regarded as the extraction of facts and the creation of ideas, which can not simply simulate the sunlight. Modernism is the creative skill of urban night view indoor space, so that a certain artistic atmosphere and real sunshine can produce the actual effect of "immersive" artistic aesthetics. Tushou lighting is the relationship of subjective consciousness. It is blended into the image of personalization and mood to "win with intention". The main lighting technology of freehand lighting produces "good ideas". It can also stimulate some imagination, resulting in the rhyme and practical effect of "ten" thought indoor space.
必须与此同时适用“写意”，并在艺术照明“实际”的照明技术，并打造出“诗意”根据“的虚与实的交融 。”充分利用“写实性与写意” 的舞台灯光机器设备的艺术设计方案的俩种方式，以更好的反映“掩藏和曝露中间的关联”，留有的情感空间回味无穷。
At the same time, we must apply the "freehand brushwork" and the lighting technology of "reality" in artistic lighting, and create the "poetic" based on the "blending of emptiness and reality" Make full use of the two ways of the artistic design scheme of stage lighting machinery and equipment of "realism and freehand brushwork", so as to better reflect the "relationship between hiding and exposing", leaving some emotional space for endless aftertaste.
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