一、音色调校技巧
1、 Tone tuning skills
音色可谓是声音的灵魂，对于音响系统的调校，音色是关重要的环节。如果音色没有调校到位，不仅会让演唱者的声音变得单调乏味，还会导致乐器音、背景音产生失真。
Timbre can be said to be the soul of sound, for the tuning of sound system, timbre is a crucial link. If the timbre is not adjusted in place, it will not only make the singer's voice monotonous, but also lead to the distortion of instrument sound and background sound.
对于音色的调校要注意区分男声和女声。男性的声音普遍以中低音为主，调校思路是对3000贬锄左右的频率分量进行适当地提升，能有用提升演唱的清晰度；女性的声音多以中高音为主，调校思路是对400贬锄左右的频率分量进行适当地提升，保证声音既洪亮又不会太过刺耳。
For the tone adjustment, we should pay attention to distinguish male voice and female voice. Male voice is generally dominated by middle and low tones, and the tuning idea is to appropriately improve the frequency component of about 3000hz, which can effectively improve the clarity of singing; Women's voices are mainly mid and high pitched, and the tuning idea is to appropriately enhance the frequency component of about 400Hz, so as to ensure that the voice is both loud and not too harsh.
二、混响时间调校技巧
2、 Technique of adjusting reverberation time
音响的混响时间，决定了余音的长短，对声音的色彩和清晰度有直接的影响。
The reverberation time of the sound determines the length of the aftertone and has a direct impact on the color and clarity of the sound.
常用的混响时间调校技巧是：男声，特别是男低音的混响时间应该调的相对短一些，以此来提高声音的清晰度；女声，特别是女高音的混响时间应该调的相对长一些，以增强声音的色彩。
The common skills of reverberation time adjustment are: the reverberation time of male voice, especially bass, should be relatively short, so as to improve the clarity of the voice; The reverberation time of female voice, especially soprano, should be adjusted longer to enhance the color of voice.
演唱场所的不同，混响时间的调校标准也不一样。如果身处木制结构这种本身就存在混响效果的环境中，混响时间应该调短，以免声音模糊不清；如果是玻璃结构这种有吸声效果的环境中，混响时间则应该调长，避免声音干涩。
The adjustment standard of reverberation time is different with different singing places. If you are in the environment of wooden structure which has reverberation effect, the reverberation time should be shortened to avoid blurring; If it is a glass structure with sound absorption effect, the reverberation time should be increased to avoid dry sound.
叁、直达声和混响声处理技巧
3、 Direct and reverberation processing techniques
在音响系统中，直达声和混响声之间存在着相互影响效果，如果处理不合理，就容易出现&濒诲辩耻辞;浴室效应&谤诲辩耻辞;&尘诲补蝉丑;&尘诲补蝉丑;声音像在浴室里的声音，含混不清。
In the sound system, there are mutual effects between direct sound and reverberation sound. If the treatment is not reasonable, it is easy to appear "bathroom effect" - the sound is like the sound in the bathroom, ambiguous.
常规的处理方法是，直达声分量和混响声分量的比例为1:1，这样声音不会产生失真现象，同时还能兼顾一定的混响效果。
The conventional processing method is that the ratio of the direct sound component and the reverberation component is 1:1, so that the sound will not produce distortion, but also give consideration to certain reverberation effect.
四、话筒音量与伴奏音量处理技巧
4、 Microphone volume and accompaniment volume processing skills
话筒音量与伴奏音量该如何 平衡也是音响系统调校的重要环节，直接影响了能否拥有良好的唱K体验。
How to balance the microphone volume and accompaniment volume is also an important part of the sound system tuning, which directly affects whether you can have a good k-singing experience.
一般来说，二者的音量分配采用4：6的方式，即伴奏音乐占40%，话筒声音占60%。
Generally speaking, the volume distribution of the two is 4:6, that is, 40% of the accompaniment music and 60% of the microphone sound.
如果演唱者唱得不错，音色也好，可以适当减小伴奏音量；如果演唱者容易唱走调、找不到拍子，则可以通过增 大伴奏音量的方式进行掩饰。
If the singer sings well and the timbre is good, the accompaniment volume can be reduced appropriately; If the singer is easy to sing out of tune and can't find the beat, he can cover it up by increasing the accompaniment volume.
