音响设备效果，指的是为配合舞台演出而设计与配置的各种音响设备，集艺术性、专门性、操作性于一身，是舞台艺术的重要表现手段。舞台音响设备效果，根据舞台节目的构思，运用各种专门器具和技巧，艺术地再现自然界、人类社会以及意识层面的精神和心理现象。
Sound equipment effect refers to various sound equipment designed and configured to complement stage performances, which combines artistry, specialization, and operability, and is an important means of expression in stage art. The stage sound equipment effect uses various specialized tools and techniques based on the concept of the stage program to artistically reproduce the spiritual and psychological phenomena of nature, human society, and consciousness.
舞台音响效果不仅仅是表演者的&濒诲辩耻辞;传声筒&谤诲辩耻辞;或背景音乐的&濒诲辩耻辞;放大器&谤诲辩耻辞;，而是在整个舞台艺术中起着主力性、增值性和再创性的作用。其一，舞台艺术很大程度上依靠音响设备效果来营造舞台演出的情境、渲染舞台氛围，反映人物心理，以及设置节目悬念，从而增强舞台艺术的感染，地在听觉上使观众产生身临其境的现场感，并且以听觉调动其他感官，充分激发观众的想象力，获得全身心地情感体验;其二，舞台音响效果对舞台演员的表演有着加工美化的增值作用，一方面能够改善和弥补演员由于自身音域音色的不适或不足，另一方面，因剧情所需，通过音响设备的传递与处理来烘托气氛，营造或轻松或紧张的现场;其叁，音响设备效果某种意义上来说算得上是另一种舞台语言，是对演出节目从内容到形式的再创性呈现。
The stage sound effect is not only the performer's "microphone" or the "amplifier" of background music, but also plays a dominant, value-added, and creative role in the entire stage art. Firstly, stage art largely relies on the effects of sound equipment to create the context of stage performances, render the stage atmosphere, reflect the psychology of characters, and set up suspense for the program, thereby enhancing the infection of stage art, maximizing the audience's auditory sense of being present, and mobilizing other senses through hearing, fully stimulating the audience's imagination, and obtaining a wholehearted emotional experience; Secondly, the stage sound effect has a value-added effect on the processing and beautification of stage actors' performances. On the one hand, it can improve and compensate for the discomfort or deficiency of the actors due to their own range and timbre. On the other hand, due to the needs of the plot, the atmosphere is enhanced through the transmission and processing of sound equipment, creating a relaxed or tense scene; Thirdly, the sound equipment effect can be considered as another stage language in a sense, which is a creative presentation of the performance program from content to form.
音响设备在舞台艺术中的运用可向更宽广、更逼真、更立体的方向发展。更宽广就是实现低音更低和高音更高，让声音的音域变得宽广，从而能够承载更多的内容，让声音愈加充实和深厚;更逼真就是增强声音的还原性，通过运用降噪、数字化等技术让播出的声音更接近原音，更自然和真实;更立体就是通过增加声道等方法，模拟出场果，让声音更富感染力和表现力，让听众如身临其境。
The application of sound equipment in stage art can develop towards a broader, more realistic, and more three-dimensional direction. Wider means achieving lower bass and higher treble, making the sound's range wider and able to carry more content, making the sound more substantial and profound; More realistic is to enhance the reproducibility of sound, by using techniques such as noise reduction and digitization to make the broadcast sound closer to the original sound, more natural and realistic; More three-dimensional means simulating a strong appearance effect by adding vocal channels and other methods, making the sound more infectious and expressive, and making the audience feel like they are in the audience.
音响设备与灯光不仅要实现自身的配合，还要一起配合舞台表演的节目。舞台的音响设备和灯光要与节目的进展保持高度的一致状态，设计师要根据舞台上每一步表演的节奏及时切换相应的音响设备和灯光，否则不仅不能达到预定的效果，甚会影响整个的舞台艺术和整场的表演效果。
The sound equipment and lighting not only need to achieve their own coordination, but also work together with the stage performance program. The sound equipment and lighting on the stage should be in a highly consistent state with the progress of the program. Designers should switch the corresponding sound equipment and lighting in a timely manner according to the rhythm of each performance step on the stage. Otherwise, not only will the predetermined effect not be achieved, but it will even affect the entire stage art and performance effect.
