舞台音响作为现代电声技术和音乐艺术发展的产物，突破了音乐声音再现的传统形式，将声音的转化与舞台上的其他艺术手段相结合，如：现场灯光、布局、场地、表演者表演风格、表演音乐中使用的具体乐器直接为观众和相应的演员服务，使舞台上的声音不仅满足观众对音量的需求，而且通过不断调整其表现力技巧和音效，让舞台的声音得到提升。艺术空间更丰富，更具艺术感和感染力。
As a product of the development of modern electroacoustic technology and music art, stage sound breaks through the traditional form of music sound reproduction, and combines the transformation of sound with other artistic means on the stage, such as on-site lighting, layout, venue, performers' performance style, and specific musical instruments used in performing music to directly serve the audience and corresponding actors, so that the sound on the stage can not only meet the audience's demand for volume, And by constantly adjusting its expressive skills and sound effects, the sound of the stage can be improved. The art space is richer, more artistic and appealing.
此外，无声的音效对舞台搭建、导演对人物的塑造、舞台调度的控制也有重要影响。舞台表演的舞台气氛不是一成不变的，而是随着表演内容的发展而不断变化的。作为艺术创作的结果，也促进了舞台艺术的真实性。对比与展示，将人物与舞台表演节奏的关系直观地呈现出来，表演的节奏体现在舞台气氛的变化上，与观众互动。
In addition, the silent sound effect also has an important impact on the stage construction, the director's characterization and the control of stage scheduling. The stage atmosphere of stage performance is not unchanging, but constantly changing with the development of performance content. As a result of artistic creation, it also promotes the authenticity of stage art. By comparison and display, the relationship between the characters and the stage performance rhythm is visually presented. The performance rhythm is reflected in the change of the stage atmosphere and interacts with the audience.
由于长期以来对舞台音响的作用认识不，忽视了学生声源、观众周围环境、观众心理感受等对舞台音响调节的影响，已导致它与扩声混淆，作为电声转换和信号放大的主要工具。但在这个阶段，人们逐渐意识到，舞台氛围的营造程度强烈依赖于音响设备的控制效果，而舞台音响可以调节观众与舞台氛围的关系。
For a long time, the role of stage sound has not been fully understood, and the influence of students' sound source, audience's surrounding environment and audience's psychological feelings on stage sound adjustment has been ignored, which has led to its confusion with sound reinforcement, as the main tool of electroacoustic conversion and signal amplification. But at this stage, people gradually realize that the degree of creating stage atmosphere strongly depends on the control effect of sound equipment, and stage sound can adjust the relationship between audience and stage atmosphere.
一方面，声音要协调高、低、快、慢的音效，使不同的音质在舞台艺术整体上得到优化。舞台艺术强调元素表现的重要手段。
On the one hand, the sound should coordinate high, low, fast and slow sound effects, so that different sound quality can be optimized in the overall stage art. Stage art emphasizes the important means of element expression.
另一方面，在舞台声音的调控过程中，应结合相应表演者的声音情况，进行高、中、低补偿和音频衰减，以提高舞台的听觉效果。艺术，尤其是声音。条件相对不足的演员可以通过合理的调节达到有效的提升，从而满足观众的听力，例如：
On the other hand, in the process of stage sound control, high, medium and low compensation and audio attenuation should be carried out in combination with the sound of the corresponding performers to improve the stage hearing effect. Art, especially sound. Actors with relatively insufficient conditions can achieve effective improvement through reasonable adjustment, so as to meet the audience's listening, for example:
厂家认为大家在使用近讲麦克风时，考虑到近讲者通常具有清晰流畅的音质，在营造舞台氛围时可以根据混响时间调整距离。男性近讲者的喉音和女性近讲者的声带杂音影响声控效果。在调试台，低于100贬窜时可根据现场情况进行衰减，在5-7办贬窜频段可增加分流器3诲叠，让观众对舞台气氛更加认可。
Shandong stage lighting manufacturers believe that when using close speaking microphones, considering that close speakers usually have clear and smooth sound quality, they can adjust the distance according to the reverberation time when creating the stage atmosphere. The effect of voice control is affected by the throat sound of male close speakers and the vocal cord murmur of female close speakers. On the commissioning platform, the attenuation can be carried out according to the site conditions when the frequency is lower than 100Hz, and the shunt can be increased by 3dB in the frequency band of 5-7khz, so that the audience can more recognize the stage atmosphere.
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