一个舞台的灯光 音响 配置可以说是整个舞台的灵魂，没有这些设备在漂亮的舞台也只是一个死气沉沉的展 架，但是很多的客户对于这方面不是很了解总是会造成这样那样的错误，归结起来主要有下面几点：
The lighting and sound configuration of a stage can be said to be the soul of the whole stage. Without these equipment, it is only a dead exhibition stand on a beautiful stage. However, many customers do not know much about this aspect, which will always lead to one or another errors. To sum up, there are mainly the following points:
1 、对种类和数量过多追求
1. Excessive pursuit of variety and quantity
这些剧场的台下设备毫无例外的在主舞台设置升降台、侧舞台设置车台、后舞台设置车载转台，并辅 之以大量的微动升降台，前台有一台或两台乐池升降台。台上设备也是品种齐全、数量过多。
Without exception, the off stage equipment of these theaters is equipped with lifting platforms on the main stage, car platforms on the side stage and vehicle mounted turntables on the back stage, supplemented by a large number of micro lifting platforms. There are one or two orchestra pit lifting platforms on the front desk. The equipment on the stage is also complete in variety and excessive in quantity.
2 、对剧场追求过高的标准
2. Pursue too high standards for the theater
一些县、县级市、市甚一个区都提出自己的剧场应，在国际上不落后，能满足国内外大 型文艺团体演出的需要。有的灯光音响租赁公司还明确提出与大剧院的水平相当。除了比不上大剧院 以外，其他剧院都不在话下。
Some counties, county-level cities, cities and even a district have proposed that their own theatres should be first-class in China, not backward in the world, and can meet the needs of large-scale literary and artistic groups at home and abroad. Some lighting and sound rental companies also clearly put forward that they are equivalent to the level of the Grand Theater. Except that it can't compare with the National Grand Theater, other theaters are nothing.
3 、对剧场不恰当的定位
3. Improper positioning of the theater
建设一个什么剧场是个十分重要的问题，是剧场还是多用途剧场，在建设决策前一定要进行充分 的论证，现在不少地方把所建剧场一律定位为以演歌剧、舞剧、话剧、综艺节目为主，兼顾会议，全然不 顾本地区的条件和实际情况。实际上，这是一个很难兼顾的课题。
What kind of theater to build is a very important issue. Whether it is a professional theater or a multi-purpose theater must be fully demonstrated before the construction decision. At present, many places position the theater as mainly performing opera, dance drama, drama and variety shows, taking into account the meetings, regardless of the local conditions and actual conditions. In fact, this is a difficult subject to take into account.
4 、对舞台形式不恰当的选择
4. Inappropriate choice of stage form
不少近期拟建或在建的剧场，不管演出什么剧种和剧场规模等实际情况，舞台形式一律采用欧洲大歌 剧通常使用的品字型舞台。
No matter what kind of drama is performed and the scale of the theater, the stage form of many recently proposed or under construction theatres always adopts the font stage commonly used in European grand opera.
5 、对舞台尺寸不适当的扩大
5. Improper expansion of stage size
多数拟建或在建剧场把舞台台口宽度尺寸确定为 18 米或以上，由于台口宽度是确定舞台结构的基本根 据，台口尺寸的不适当加大，使得整个舞台和建筑的尺度加大，造成浪费。而舞台台口尺寸是和剧场规模 等因素密切相关，不是可以随便自由确定的。
Most of the proposed or under construction theaters determine the width of the stage opening as 18 meters or more. Because the width of the stage opening is the basic basis for determining the stage structure, the inappropriate increase of the size of the stage opening increases the scale of the whole stage and building, resulting in waste. The size of the stage entrance is closely related to the scale of the theater and other factors, which can not be freely determined.
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